Editorial photography or amazing portraits? An amateur photographer’s guide

One of the most common mistakes in photography that people try to highlight the meaning behind every single photo. Many individuals start their photography journey often look for things like nature scenes to build an understanding of how to use their camera. Others however that have a little understanding are sometimes looking for more. This hunger for becoming a better photographer can be influenced by what’s illustrated online, through social media and even what you see at art galleries. For the most part, editorial photography is having a significant impact on the industry, and many new photographers are taking flight with this industry concept.

It is important to note what exactly editorial photography is though. Many have their own definition, but one that we can all agree on is the subject matter. Editorial photography evokes a meaning/ story behind the overall photo. On the other hand, commercial photography, or in this case, simple portraits can focus more on the individual or the product showcased. Many photographers make the industry mistake in labeling photos that appear to be dramatic as editorial when they don’t follow the one universal rule of overall composite story telling.

These two images are a great example of how complex editing and composition can reflect the proper emotions and meaning behind editorial and subject-centered photography. The image on the left by Robin Elise Maaya can be defined as an editorial due to the elements around the subject creating emotion. This is done by adjusting the aperture, angle, lighting, and subject positions. Although the subject can be interesting, editorial photography is about the interaction between positive space, negative space and how the subject can blend well or contrast well enough to evoke emotion over materials.

The image on the right was taken by Ilijah Simpson and edited by John Warner. Although this photo includes very detailed editing, it is fashion-centered. The editing itself is not the only main focus, because the position of the subject, coinciding with the negative space makes the subject the only focal point. Then, the frame causes the subject to appear to be levitating. Overall the image is not geared to evoking emotion, it is geared towards causing a reaction.

These notes can seem to be vague, but the details of the images are the giveaway. If you want to learn more about the different forms of photography, you can always try connecting with different departments at SCAD.