The first time I heard a Natanael Cano song, I was hooked. Intoxicated by the throaty guitar, the way the horns wailed and the mindset the music embodies, I had no choice but to indulge in the culture of Corridos Tumbados and how it has impacted the Mexican-American youth the way Rap and Punk Rock did for the Black and White American youth once before — a genre bred out of rebellion.
