SCAD FASH Museum of Fashion + Film’s new exhibition “Cinematic Couture” chronicles five centuries of film and television through the art historic costuming. The exhibition features more than 50 costumes from 24 acclaimed films, all created by Cosprop Ltd. — a world-renowned London-based firm. Films highlighted in the exhibition include “Titanic,” “Sense and Sensibility,” “Downtown Abbey” and “The Danish Girl.”
Admittedly, I wasn’t excited for the exhibition — I’ve never been a big fan of historical films and TV shows. The only movie that I had any knowledge of prior to the tour was “Titanic,” because who hasn’t seen that movie at least once in their life?
The information the docent gave during the tour was completely fresh, but compared to someone who has actually seen any of these cinemas, I’m sure my reactions paled in comparison. Nonetheless, I was intrigued by not only her knowledge of the costumes and the history behind them, but also by the sheer construction and ornaments of the garments themselves.
As the docent explained, costumes are a vital component to a historical film, not only because of the archival accuracy, but because of the essential information it tells about the character. Any inaccuracies could immediately discredit the entire film and production company.
The first look that caught my attention was a red printed taffeta gown from the 1988 film “Dangerous Liaisons.” The movie is centered around a widow and her manipulative ex-lover who are conspiring against a recently married woman. Crazy plot, but the gown was absolutely stunning. The movie is set in the 18thcentury in France and lives up to the opulence you’d expect; regal, over the top, and overtly feminine. The gown was worn by Swoozie Kurtz who played Madame de Volanges in the film. My interest in the rest of the exhibit was stagnant until the very end when I reached what I felt was the highlight for me: the costumes worn by Jenna Coleman as Queen Victoria in “Victoria.” “Victoria” is a British based TV series chronicling the early life of Queen Victoria, from her ascension to the throne all the way to her marriage to Prince Albert. It’s also the most modern part of the exhibition since the series started in 2016 and is currently still airing. If you’re even slightly familiar with the royal family, then you know you can always expect elegance and sophistication. The gold velvet cape that draped the mannequin’s shoulders was mesmerizing with its embroidered floral motifs. The crown, meticulously decorated with an array of stones and crystals, is the ultimate headpiece. I couldn’t help but to gawk at its shear intensity and glamour.
Photo by Alexus Graham 
Photo by Alexus Graham
While this may not have been my utmost favorite exhibition the school has had, it’s definitely worth a visit. Even if you’re not a historical movie buff, the historical accuracy of the costumes and the knowledge that you’ll receive from the docent is valuable — especially if you’re studying historical of fashion or art history courses.
